PRESS
Dead Man's Cell Phone scenic, lighting, and sound designer Daniel Gordon filled the playing space with an elegant array of post-modern cell towers
Hap Erstein, The Palm Beach Post
Long-time Festival scenic and lighting designer Daniel Gordon comes up with a fittingly regal backdrop for this Hamlet.
Hap Erstein, The Palm Beach Post
Daniel Gordon has come up with an attractive, rough-hewn scenic design on a steeply raked stage, and an even more striking lighting plot with bold color choices for this Macbeth.
Richard Libres, The Miami Sun Sentinel
This Twelfth Night crashes with high impact, thanks to the efforts of production designer Daniel Gordon
Hap Erstein, The Palm Beach Post
Daniel Gordon's Taming of the Shrew scenic design, dominated by the grandstand turrets of Churchill Downs is his most attractive creation in years. Hap Erstein, The Palm Beach Post
The set (for She Kills Monsters) was very effective at subtly representing a D&D game board but more importantly providing various mysterious locations in Tilly’s complicated psyche. Off-kilter platforms, traps, yawning cave mouths and strips of knotted fabric offered wonderful atmosphere and playing spaces.
Robert Homer-Drummond,
Kennedy Center American College Theatre Festival